PEDAL POWERRRRRRRRRRRRRRRRRRRRR!
This December I’ll be biking in costume with a motley crew of humans. For one month, each of us will molt our mundane routines, don a cape, and practice being our most playfully awake selves. It’s the Annual Superheroes’ Long Haul for Justice!
This will be my first ride, so I’ll let people who have been explain the nuts and bolts to you better:
Here’s Metta’s journal of her ride as a Mime…. Zipped lips the whole way! Wha!?? Here’s a recent blog article featuring our upcoming ride – from Travelling Two – an amazing blog about international bike touring. And, Here’s a fantastic youtube series with Ethan about how it all got started.
As I pack my bike cart and stitch my costume together, I’m smiling at the chronology of character play that plops me into this moment of embarking. More like loop-de-loops in the sky by an awestruck pilot than a marching-forward timeline, this getting loose has been gradual and full of stops-n-starts. Kids taught me to play again after college, and playing teaches me to live a sweeter kind of honesty day-to-day.
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I remember years ago sitting at the Bread Co on Grand at a table just behind this man dressed in all white lycra, and loving him. I have no idea his story. But I filed him right beside the CWE instant-parade-tutu-whistle-fellow under “Thank You, Wonderful”. Is it simply the effect of public Spandex? Something like science-fiction tunics that tune into the essence of their energetic human contents and make the skinsack feel so surreal?
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Then – right around the time I started learning about archetypes (thanks Ms. Mack for the lend of Sacred Contracts), I notice I start finding and gravitating toward caricature tchotchkes. And playing in the mirror as much as I did in my 7th grade vain phase – I met my inner Monkey Man, my greatgreatgreat soul grandfather grumblewonder who grunts eloquent theorems with one unfurling eyebrow.
Maybe it’s because I wasn’t allowed to celebrate Halloween as a child?
→ In fall 2007, the night I was returning to STL after a year away, I remember waking up unable to sleep with a strong idea prompting, and scribbling a curriculum down for the CAMP kids about how to be your own superhero. When I got back the situation in the experimental afterschool was a little intense for a facilitated step-by-step learning process, but I still attempted to help them make their own “hero dolls” – low-fi stuffed animal versions of their most inspirational favorite hero humans. I made one of Ghandi, Sojourner Truth, Frida, Bucky Fuller, and Georgia O’Keefe. And of Marlaisia (above), one of the students.
→ Then I made hero dolls of my friends and collaborators for the winter pageant May These Changes Make Us Light, which developed from asking each other the question, “What is your superpower?” –A great question to ask strangers too – watch serious men get all imaginary, body language melting into openness. In performance contexts, I love to play the Greeter. In this case I was a EvlovevolvE, with speech like water that could transmit messages from beyond. I welcomed the audience in three languages (English, Spanish, Tongues) and then washed off my mask in a big ceremonial bowl. In the large foyer at CAMSTL, we welcomed show go-ers into a strange/sacred space filled with shrines and drawings by Lezlie Silverstein and a giant curtain hung with the hero doll miniatures – so all members of the cast were reflected in their fantastical nature.’
→ The next spring Boi Bella and I decided to take it a step further with Circus School Intensive via Circus Harmony. Together with Steesh and Parys flytrap we threw an extravagant five-course fancy meal fundraiser at the Flora mansion where I was generously living for free by trading Atnas’ing. This “Café Clandestino” supported our tuition, and soon we were dive-rolling, trapeze-hanging, juggling, and face-making at the City Museum. I remember I wimped out of the final performance, confessing unpreparedness – the teacher for the clown class aspect of the intensive had been fired at the course start and never replaced. So the training I’d wanted I hadn’t gotten, but it was a relief-ridden copout: much as I like to goof, the doing it ‘on purpose on stage before an audience’ is where I still freeze. Shy to practice risk. I’m still learning that you don’t have to be funny, you just have to be real. Ok next time.
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On a whim that summer I skipped up to Rothbury Music Festival, interested to see what a ‘green’ festival would look like, and ended up camping with a gentle, compassionate teacher from Michigan named Michael Mallon who is developing an elaborate service curriculum for kids based on the development of their superhero persona. He had created a comic book text book combining character, costume, and sidekick creation with experiments in outreach – a way for children to playfully engage with service-based social change. I knew something was brewing when we met, just didn’t know what it was yet . . . Turns out he connected with the with the Possibility Alliance last summer too – and Now, together the Biking Superheroes, they’re concocting the first Family Long Haul for Justice service ride, scheduled for next summer though Iowa!
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Next up in the superhero timeline of my life appears Atnas, Santa’s daughter. A character created by my sisterfriend and longtime collaborator Kelsey LaPoint, Atnas has had three iterations so far – an illustrated poem, a character in a theatrical pageant, and a movie project.
Flying around the world on a giant vacuum cleaner, she embodies the clearing principal – sort of a cosmic cleaning lady that started out as an environmental activist until she experienced how linked inner and outer pollution are. When invited, she supports the work of processing and getting rid on an emotional and material level. Like her dad, she does house calls.
I really enjoyed playing her on stage, singing a song I wrote, live to Dan Huck’s bass:
Embodying the character for the movie was challenging as I have zero experience as an actress, and we basically wrote-shot-costumed-edited-screened within a month span. But I loved inviting the city into the piece as a character, and would have enjoyed spending more time maturing the interaction between animation and live sites. Dabbling in stop-motion was a huge joy, and goofing off as rappers by the flood wall with Jenny Shriner was pretty unforgettable. She took the bridge rap in this song I wrote for the screenplay:
Scripting within the spaces that are part of my everyday definitely asked the question of how I can embody my superpowers more in my ‘regular life’.
The year that followed the making of the movie has been for me the allowing of the Atnas principle to ‘take over’ my walk —- realizing and releasing those patterns, beliefs, attachments which prevent me from living my flow.
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Heeding that intuitive inkling this past August led me to an 80-acre homestead in Northeastern Missouri for a workshop intensive called “Superhero clowning for social engagement”. The Possibility Alliance is a petroleum-free, radically simple Ghandian collective dedicated to joyful sustainable living – a perfect site for the kind of authentic, intimate, dynamic learning that took place at clown camp. About twenty+ folks from all over gathered to learn from each other and from a team of amazing clowns from SF who run ClownZero – an organization that brings laughter into hospitals and other crisis situations. Our outdoor classroom was the ground space encircled by the arms of a giant black walnut tree, and what ensued was a great big cracking open.
Body warm-ups prepared us for character play games, and so much of the work revealed for me walls, fears, barriers between my true self and what I allow to come out. On the surface, the exercises were harmless: “be an animal at a cocktail party,” or “tell your life story in one minute with no words just sounds and motions”…… In actuality, the process cut deep! The most potent for me were the Rasa Boxes: a grid comprised on 9 squares that represented 9 emotional states. The participant is invited to enter and take on the breath and embodiment of the various states – Bliss, Lust, Joy, Disgust, Rage, Fear, etc….
I headed straight for the familiar Fear/shame but felt dull – nothing – disconnected there. I heeded the tug toward Rage and what erupted in the “I’m never angry” Lyndsey as I allowed it to come was a torrent of deeply-held furiously powerful anger . . . Like a wounded mama lion roar, I tapped into a thread of my being I hadn’t met yet. Raw anger fumed and caw’ed and snotted out { at various men in my life I’ve allowed to be my authority instead of myself, } {at wasted time idling in ignoring intuition } {at years of self-hating disguised as religion} { at myself for letting a pattern of obedience at all costs to prevent me from living true} . .. . The rest of the week I kept facing and freeing these waves of anger and fear . . . . one day in particular, sobs and memories kept flooding up so I skipped out of the group and dove into the big pond and for what seemed like an hour wrung myself out like a mad spin cycle….. thrash and scream underwater, come up to breathe, repeat. I emerged so still and clean and empty and sat in the pasture watching the sky and trees, tremendously peaceful. A fly landed on me and I pet it. All day long that day I could pet flies.
The unscripted learning time was just as rich – lunchtime was full of enlightened chatter as people each brought scores of experiences… traveling circuses, international permaculture projects, lots of travel/work at various intentional communities. Karma yoga at Hollyhock, gardening at Esalen, Hummingbird, seasonal staff at Omega, One project I learned about that impacted me most will soon result in a movie, WITHIN REACH: Mandy and Ryan bike-packed thousands of miles to visit 100 intentional communities and create a documentary about their travel.
At Superhero naming circle I christened myself The SerendipiTease, naming the power I want to grow in —- creating magic and connection by Choosing to be in the ‘right’ place at the ‘right’ time. We hodgepodged together songs and skits, and carried our characters in outreach to a nursing home show, reality-bonking at Kirkwood college, and putting on a community theatre fundraiser. The experience of affirming one another as we each practiced opening and together tried on new social shapes, supported by the intentional communication needed to process the messy glory that poured forth, cast a vision for what is possible as we commit to accept and love each other into and through the evolution that we hunger for.
Over Thanksgiving, my bro-in-law, a law student who follows Pro Bball player Tweets, hipped me to some new-to-me small talk. One word agreement that replaces ‘amen’ … or, I concur: “Church.” As he spoke that I felt steeples and stained glass moleculize into the moments of truth that surround us as we allow What Is, as we allow the fullness of who we truly are to come through. It’s this sacred ground of collaboration, this practice of witnessing the magic inherent in each moment that most beckons me on this trek.
“With our powers combined! ”
into the Chapel of sacred mirrors ~
“Where two or more are gathered, there I AM in the midst of them . . . ”
Church.
WoW!!!!
…once again, mz. lyndsey…you amaze me!
Mutual, love. Thanks so much for lightening my morning yesterday! Can’t wait to see you in the cape. xo
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